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・ Đorđe Gagić
・ Đorđe Gerum
・ Đorđe Gogov
・ Đorđe Golubović
・ Đorđe Inđić
・ Đorđe Ivanović
・ Đorđe Ivelja
・ Đorđe Jokić
・ Đorđe Jovanović
・ Đorđe Jovanovski
・ Đorđe Jočić
・ Đorđe Kamber
・ Đorđe Kaplanović
・ Đorđe Kačunković
・ Đorđe Koković
Đorđe Krstić
・ Đorđe Kunovac
・ Đorđe Lavrnić
・ Đorđe Lazić
・ Đorđe Lazović
・ Đorđe Lazović (footballer, born 1990)
・ Đorđe Lazović (footballer, born 1992)
・ Đorđe Lašić
・ Đorđe Lobačev
・ Đorđe Majstorović
・ Đorđe Majtan
・ Đorđe Marković
・ Đorđe Marković Koder
・ Đorđe Martinović
・ Đorđe Mihailović


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Đorđe Krstić : ウィキペディア英語版
Đorđe Krstić

Djordje Krstić (, ; 19 April 1851 – 30 October 1907) was a renowned Serbian realist painter. He is often ranked alongside his contemporaries, Paja Jovanović and Uroš Predić.
Krstić finished his education in Munich, Germany, where he began his early works under the influence of German realism up until 1883. Some significant works of this early period include ''The Drowning Maiden'', ''Anatomist'', and ''The Gospel Writer''. In Serbia, Krstić moved his style of painting from a realist tone to a more idyllic one, with paintings such as ''Kosovo Field Landscape'', ''From the Surroundings of Čačak'', ''From Leskovac'', ''Studenica'', and ''Žiča''. In his later years, Krstić began painting a number of iconostases in Čurug and Niš, of which include the controversial ''Death of Prince Lazar''.
==Legacy==
He is included in The 100 most prominent Serbs.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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